Friday, October 26, 2007

Bibligraphy, Key quotes and Key visual materials

Bibligraphy:
Books
(1)Linda Candy and Ernest Edmonds, "Explorations in Art and technology", Springer, 2002
(2)Sher Doruff, "Making art of databases", V2_publishing, 2003
(3)Aylish Wood, "Digital Encounters", Routledge, 2007

(4)Anne Bentkowska-kafel, "Digital Art History, A subject in Transition", Intellect Books UK, 2005
Online Report & Paper
(1)Impact of digital imaging on fine art teaching and practice by Max Davison from Staffordshire University: http://www.agocg.ac.uk/reports/graphics/26/node5.htm
(Very informative report compared the impacts of digital art with traditional art)
(2)Artful roles in blended learning: reflections on collaborative digital arts and Zimbabwe by Andrew Morrison from University of Oslo:
http://emerge2004.net/connect/site/UploadWSC/emerge2004/file62/Morrimerge.pdf
(It is an interesting paper talking about digital art in African Region)
Websites

Zewall: http://www.zewall.com/classes/wallViewer.php3?street=12
(the viewers can draw freely on the "wall" and comment each other's paintings)
http://www.dietberg.de/zewall/index.php?fpp=20&did=0
http://artoftomat.over-blog.com/album-333253.html
(two of the viewers pull all of their pieces drew in Zewall in their own wensite for another kind of appreciation)
Flickr:

Key quotes:
(1) “Knowledge should be free; Media is kind of team works.”
http://www.montevideo.nl/en/index.html

(2
) “When there is this open collaboration between artist and viewer, the idea was raised that because of the technology available that artists can create a more "participatory culture". The artist's job at first seems very minimal in this situation, but on page 236 is gives the idea that, "the role of the artist (shifts) to that of one who creates the framework and tools for interactive dialogue."
http://interactart.blogspot.com/2007/10/global-culture-networked.html

(3) “In recent years museums, galleries and the art establishment had embraced new media art and in 1995 the Whitney Museum of American Art was the first to purchase a work of net art by Douglas Davis - 'The World's First Collaborative Sentence' (1994) and many of the worlds other great art galleries were following by 2000.”“Preserving pure new media art is difficult and complex as it is an electronic medium and often does not appear ad a painted or drawn image and because the equipment is created on is made rapidly obsolete.”
New Media Art by Mark Tribe and Reena Jana, Taschen, , Koln, 2006 'Art in the age of digital distribution.' pp. 6-25

(4) "Digital imagery opens up a new point of entry into the debate surrounding the issue of the 'aura' of the unique work of art...The digital image can present a challenge to such claims in two ways. First , it is by its very nature infantile reproducible...The second challenge is also dependent on this permative nature"
Digital Art History by Anne Bentkowska-kafel, 2005 'History of Art in the Digital Age: Problems and Possibilities.' pp.4

(5) "Trust and cooperation are endemic to any functioning collaborative environment that scales up from the binary, nearest neighbor, on/off rules of cellular automata to engage in a more multi-dimensional interaction."
(6) "Arguably, artists controlling media parameters in a shared, co-authored environment are more interested in the cooperative 'reciprocal altruism' of the moment rather than competitive beauty bashing."
Making Art of Databases by Sher Doruff, 2003 'Collaborative Culture' pp.80

Key visual materials:
These are the very amazing collaborative Digital artworks:

(cottage arts collaboration...in a commercial way)

(Group collaboration that started with just the photo of the house. Everyone adds a different element to the picture in a round robin style. The webmaster added the spider, spider web, and the witch on her broom. )

did by the viewers in Zewall
(the Graffiti drawings on the Zewall, this is a kind of collabrative digital Art in computer world)

1 comment:

Andy said...

your websites seems to be useful=]...very nice^^